![]() ![]() ![]() Here’s a loop I made for the purpose of showing off drums that need taming in just this manner.ģ. One could think of this process as simulating the way analog tape seems to subtly shave off high end in the analog world. Use this technique to mellow out harsh frequencies when they peek through. ![]() Medium time constants are good, or better yet, you can time them to the tune’s tempo for a more invisible touch. I don't want to clamp down too hard, too fast, and too often. If the multiband tool is a compressor, I tend to employ lighter ratios if a range is offered, I go relatively easy on that as well. With a multiband tool, address the upper mids and highs, using your ears to find the exact crossover point. As always, be careful and be conservative, as multiband processing can introduce a host of issues. It can work on solo tracks, but I tend to save this trick for submixes. Try the multiband “duck” for top end control But if the element in question is a top-billed performer, then you’ve got your work cut out for you. ![]()
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